You had all these mid-level executives sitting there, and Cruise walked in. Producer Matthew Vaughn later recalled, “It was hysterical. Would he be interested in attending a screening for potential buyers in Hollywood? Not to become a buyer himself, necessarily, but just to see the movie? Cruise went to the screening, surrounded by suits and number-crunchers, and was a vocal and enthusiastic viewer. The film was having trouble finding an American distributor when Styler called an acquaintance of hers, a movie star named Tom Cruise. Tom Cruise helped get it released in the U.S. He’d also made a short film, The Hard Case, that showed Styler his potential. “It was a very long, rambling screenplay with terrible typos, and really poorly presented.” (Sounds like Guy Ritchie is even more similar to Quentin Tarantino than we realized.) Fortunately, the substance of what Ritchie was trying to achieve shone through his inelegant presentation. What she didn’t love was the presentation: “It wasn’t an easy read,” she said. Trudie Styler, a producer, actress, and wife of Sting, found the screenplay for Lock, Stock and Two Smoking Barrels in the mid-1990s and basically loved it. Grab a cup of tea (the entire British Empire was built on them, you know), and enjoy these tidbits about some of London’s most unsavory characters as we celebrate the 20th anniversary of Lock, Stock and Two Smoking Barrels. But Guy Ritchie was once the guy who made Lock, Stock and Two Smoking Barrels, a smash hit in England, a cult hit in the U.S., and the instigator of a new cycle of rough British crime comedies. Now he’s the guy who made those frenetic Sherlock Holmes movies, turned Aladdin into a live-action film, and used to be married to Madonna.
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